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Showing posts with label SHORT/LONG/OTHERWISE. Show all posts
Showing posts with label SHORT/LONG/OTHERWISE. Show all posts

Tuesday, May 19, 2015

{ 34 } The Words! They are a Killin' Me!

I just realize a swear a lot in my writing...

Sorry if you got offended at the words in my last post. I forget that not everyone lives in my brain. No matter: words are words, right?

Sticks and stones
May break my bones,
But words can never hurt me.

Sheesh: if people are breaking your bones, via sticks, stones, or whatever, you have much bigger problems than my swearing!

ON TO THE POINT!

In the last post, I gave you an excerpt from one of two things I'm working on. Well, today I have for you a synopsis of Thing Number Two!

Imagine it as the back-flap of the paperback, inner-flap if you're old school hardbound.

It's so pulpy! Read it out loud in your best movie-over voice. There's more to read post-flap, so continue on.

Enjoy!

~~~

 He had nothing to lose...
Until he lost the child he didn't know.

Errol Bixby is on a mission to find his daughter and stop the violent career criminal that has married Bixby's ex-wife.

Following a dark path of lust, deceit, murder, and coverup, Bixby's journey will take him from Texas, to Colorado, to the very heart of America.

On a nonstop quest to find out what happened to his own daughter, and the daughters of many others, Bixby will stop at nothing to uncover the truth.

Even if he dies trying.

~~~

So, for my feedback:
~ Can you image this story?
~ Where do you think this story is going? Where do you think it has been?
~ Can you imagine the story and rewrite the flap?

Sunday, May 17, 2015

{ 33 } Undertaking

So, for those of you unawares, I took two weeks off from my job to write. What am I writing, you ask?

Whatever falls out of my fingers.

I've got two major works in the process. Here is an unedited excerpt from one of them. I can almost promise it will take a different form on the printed page, but here it is for now. Enjoy.

~~~

I once was a cook at a breakfast place where I had been the only female in the kitchen. Ever. The manager would constantly get drunk and confuse me with his on-again, off-again girlfriend.
 

YOU NEVER LOVED ME!” he'd shout from his text.

Um, yeah. But I filled all the sauce bottles.”

SAUCE! You FUCKED Pete for fucks!”

You realize you're not texting Abby right now, right?”

You CUNTS are all the same!”

When I'd ask him about it the next morning, he'd deny, deny, deny. And then meticulously scrutinize the things he thought I had left undone.

You didn't cut onions.”

I left a note saying we were out of onions.”

Well, you didn't fill the salt shakers.”

The shakers were in the dish...”

The note you left was long and stupid! Why the fuck did I ever hire a girl to work here!” And off he would stomp, content in his hungover brain that me, the dedicated employee, and Abby, the girl that done him wrong, were one and the same. Fucking cunts.

~~~

Tuesday, April 28, 2015

{ 32 } The Truth Is Never Pretty

Hey there, Super Fans!

I've got a new find for you. I guess it's really not a "find" since I never lost it, but I have had it tucked away for a decade. It's another one of my "This Happened to Me" pieces, like "Billy."

A few distinct key differences: where "Billy" was raw and real and my soul laid bare, this piece is slightly more... embellished. For example, the main "me" character is way more shallow than I have ever been.

Next, "Billy" has an ending, a very concrete ending. This story ends with an adverb: "then." Why, you ask? Not entirely sure. Maybe it was due to laziness, maybe that I was all I had to say, or maybe because it's a story that doesn't end. Maybe it's still being written.

Also, in "Billy," the antagonist is dead and had been for awhile when I wrote it. In this piece, the antagonist is very much still alive. And that's why I waited to publish this piece. I wanted him to read it before I let all of you, because it's not exactly flattering. So, it only took a decade (original creation date is September 2005!), but he finally read it and I got the green light.

A quick bit of backstory: when I wrote this piece, I was surfacing back from one of the biggest meltdowns of my life. If you've ever seen me meltdown, you know that's saying a lot. There was so much hurt and anger and sadness and confusion going on, none of which was made better by the free-flowing alcohol and severe lack of responsibility. It took years and years for some of the hurt to heal. But it finally did, like it always does. I'm just glad (most) of us lived through it.

Enough of that. On with the show.

-----

SAM

Enter, page one, our first character: Sam Dumpy Mousekiwitz. From henceforth he shall be referred to as “Sam,” “Dumpy,” “Dumpy Mousekiwitz,” or “Mr. Mousekiwitz,” but never again as the name in full. Here is the last time you will see it in print in its entirety, so take in its full magnitude and remember it well: Sam Dumpy Mousekiwitz.

Of course, this was not the same Sam I had fallen in love with a year before. No, that was Sam the REAL ROCK STAR, self proclaimed. Never mind the fact that he could barely play guitar and sung no better than a sty full of sow. He did, however, possess that certain je ne sas quoi that only rock stars have, including the abilities to do copious amounts of drugs, drink like a fish, and throw temper-tantrums at the mere thought of not getting what they want.

I had initially fallen in love with him, as stated a year before, as a way to give in to my rebellious urges. Sam was the king of Robert Smith hair, a self-perpetuating alcoholic, and hotter than the ever-blazing fires of Hell. I wanted him bad, but alas, I was spoken for and he was only nineteen.
Regardless, he eventually aged and I eventually singled and, after a painful lust year, I finally acquired my prize.

In the beginning it seemed ideal: me, a punk rock princes with my gorgeous trophy rock star on my arm; him, a slobbering drunken mess with a fabulous older woman there to clean up after him. It was a match made in Hell and I relished every hardcore minute of it.

We spent the vast majority of our time together drunk and on his couch, surrounded by a never ending parade of other drunks. Sam still wasn't old enough to patronize the local bars, but I was more than happy to float through the days on our blurry oasis. The closeness of our persons and the constant state of intoxication, however, were beginning to cloud my judgment and make me overlook certain unavoidable, damaging traits that Sam was beginning to acquire.

For example, the sexy army pants he most commonly wore had been replaced by a heinous pair of orange (orange!) slacks from J. Crew (J. Crew!). What was happening?

Sam also had a black leather punk jacket, meticulously adorned with pins, paint, and patches. The delicious leather jacket was one of the things that helped define Sam as a rock star. Every shiny bit of metal that graced its surface was actually a medal, a badge proving he was worthy of stomping around town, throwing up on sidewalks, and screaming his particular brand of “music” into microphones. The jacket may have been a typical and traditional uniform, but it was also one of the very reasons I had initially been attracted to him, as ridiculous and petty as it may seem in hindsight. What can I say: I like shiny things.

However, more and more recently, the jacket was shoved to the back of the closet in favor of a disgusting red and black striped knit sweater, frayed at all edges from the constant picking, twisting, and tearing that Sam's busy hands would subject it to. It was hideous.

The change in clothing was nothing compared to the physical changes Sam was going through. His passion for drugs had waned and every night without an illicit substance coursing through his body became another inch around his waist. I didn't know it at the time, even though it is abundantly clear now, that this sickening, fat, terribly dressed thing I was dating was no longer Sam, but Dumpy Mousekiwitz.

Dumpy was Sam's alter ego. Or perhaps Dumpy was the dominate one. No matter: I did not like what I was seeing, and it was completely unacceptable for a woman of superior quality, me, to be dating this repulsive creature.

I had learned early on that the best way to improve my own social status was to date the best of the best: the ceaselessly attractive, the hardest partier, the most well-known. I am a social creature and defined by the societies I am surrounded by. It was a dog-eat-dog world and if I couldn't be the top of the food chain then I had no business eating. This was why Dumpy was so damaging to my reputation. I simply could not be seen with a sloppily dressed blob masquerading as a human.

Let's zoom back to page one for a moment, when you, the reader, first met Dumpy Mousekiwitz. Let me set up the scenario for you: I was sitting on the trashy couch in the trashy house Dumpy called home. The room was always in a perpetual state of disarray because of the copious amount of liquored-up children that were always crammed in between the walls. This is not a complaint, because I was a constant fixture in the room also. This was the place to come to see people and to be seen.

When Dumpy entered the room, everyone gave him an affectionate smile. I say affectionate, but I really knew they were more pity smiles. The others saw that the change had happened, too.

I hadn't seen Dumpy for a quarter of an hour or so. I figured he had probably been off telling the latest round of revolving-door roommates how happy he was to have them living on his couch. He stood in front of me and declared that we needed to take a shower because he was “all dried out”.
Dried out? He looked like he was retaining enough water to put out a forest fire, if squeezed the proper way. Plus, the very last thing I wanted to do was leave the party to, of all thing, take a shower.

Then-


-----

Thursday, August 7, 2014

{ 29 } Andy Made Me Write This

So, Andy forced me to write a thing. And I did. I hate it. What do you think?

-----
Sometimes you do the acid; sometimes the acid does you.

Renee felt her house shift below her feet.
Was that an earthquake? No, earthquakes don't happen in Nebraska.
 That's when Renee remembered the two hits of acid she had taken.
Oh, fuck. I'm fucked.
Renee looked at the walls of her house: they were melting. Bricks moving in and out, as if some divine hand was pushing messages through from the outside. Pets: melting. Hands: melting.

Milk, milk, milk. I need milk.

Renee picked up the phone and called Luke.
Luke! I need milk!
Luke, on the other end of the line, was not confused. He knew. He knew what Renee had done.
Hang on, baby. I'm on my way. With milk.

Time... Time... Time passes...

Renee: I'm fucking dying!
Luke: I brought you a gallon of milk!
Renee: It's solid! It's solid!
Luke: No! Renee! Sleep!
Renee: Luke. I'm okay. I'm not... melting.
Luke: Renee... You're not melting. Lay down. Go to sleep...
Renee:  Sleep. I should melt in to sleep...

And she did.

Renee slept. Sordid dreams.
But in the morning, all was okay. No melting.
-----

It's a short. It has an ending. Pffft.

Friday, August 10, 2012

{ 26 } Poetry and Other Atrocities

Warning: this post is long and rant-tastic. It's also a great read. But, if you're short on time, feel free to jump past the diatribe on poetry and skip straight on to the (gulp) poems I wrote. 

In some sort of desperate attempt to recapture a missing part of me that I had forgotten I even had, I've been sorting and sifting through old files and old blogs, looking for little bits and pieces of writing. My really old stuff is all hand written, which is a problem because I have about a billion notebooks. But my files are limited and way easier to sort through.

To the point: I have some old new stuff to share with you again. But I should warn you that they are both poems. Faithful readers and new obsessive readers should know that I have a slight poetry fear, as I ranted about it in Post #15. The quick and dirty is thus: I find poetry pretentious and overrated.

Now hold on, hold on. I grew up on poetry. My parents were both huge poet freaks, in reading and writing (my dad had a poem published in American Poetry Anthology, 1984, ISBN 0-88147-008-2, for those of you that didn't read Post #15). Some of my first books were by Jack Prelutsky, Shel Silverstein, and Jeff Moss (some are even signed by the authors). I would regularly recite "The New Kid On The Block" and "Homework! Oh, Homework!" for talent shows.

I eventually graduated to Anne Sexton, Sylvia Plath, and Charles Bukowski. Talk about a leap. Sexton's "I Remember" can still make me cry. I have "So This is Love" by Lorna Crozier committed to memory. Once I hit 30, Judith Viorst's age poems rang so many true notes it was startling. A glace at my book shelf and I see no less than twenty poetry books.

Now you maybe wondering, how can I claim to dislike something that I seem to have such a fondness for? Easy answer: I read too much.

Poetry for me was like a favorite food. I would eat it every day. I would devour it. I would try to recreate it on my own. I would seek it out in hidden places, looking for undiscovered gems. But eventually, as with any craving, you start to get sick of it. The love starts to wane. One day you go cheap and grab something off a food cart and then it's over. Your favorite food now disgusts you. I read so many poems by so many "poets" that I couldn't stand it.

Please don't misunderstand my "pretentious and overrated" comment. There is good and bad everything, but it seems to be that bad poetry severely outweighs the good. If poetry was a girl, I could use Longfellow's words to describe most of his own genre: "And when she was good, she was very, very good, But when she was bad she was horrid."

To point out the obvious, between my parent's history and my early readings, poems were some of the first writings I attempted. And, as I said in Post #15, most of it was, indeed, horrid. Shamefully horrid. I remember writing some of it and thinking, "Oh, man. This shit is good. It totally conveys my feels and will express to the world what an awesome talent I am." Then, years later I'll find it, read it, and wonder what the hell was wrong with me. Page after page of audacious, self-overrated crap. John Keats I was not. Hell, I wasn't even Warren G.

Enough ranting. I did have a point here somewhere... Oh, yeah, yeah, yeah. I remember...

As I pointed out in Post #15 (which you should probably just go read already. It's even got a Dune quote!), I did manage to crank out some acceptable diction over the years and I was going to self-publish a book of poetry. Mostly juvenilia, but possibly some newer stuff, of which there is little). Which brings me back to my original thought: I have new old material to share, written in 2008. I think these are probably the last poems I wrote. Maybe they suck, maybe they're good. I don't really care. If nothing else, I think they do prove that I smoke too much. To sum this all up: mayonnaise.

 * * * * *
Keep Working - 4 Feb. 2008
Nine a.m. comes early
To those of us without a schedule.
And things are over again,
Just like they've been over before:
A final prospect which I know to be true.
The dogs scratch, the cigarettes melt
Like they've done since time began.
But now time is ending.
Sleep is an impossible dream,
A far away phantom which I cannot catch.
To try is to fail.
To achieve a small victory is to lose.
Misgivings give way to an unspoken good-bye.
What you thought was a reality
Is now a dream you will never have.
The clocks tick,
I should sleep.
Nine a.m. comes early
To those of us without a schedule.

* * * * *

Stay Busy - 27 Feb. 2008
This is an empty house.
It can be filled it with smoke,
But it is fading.
They look at me with sad eyes.
The ones we love.
The ones that need us.
I tell them no.
What else is there to say?
Another drink will not fill the void,
Yet the trying is real.
Supposing that nothing means something,
What is it that nothing means?
The house cries,
The loves cry,
Yet I have no words to comfort their grief.
Another night with my Best Friends,
Alone.

* * * * *
 

Saturday, August 4, 2012

{ 25 } Oh, CRAP!

I just realized it's been ten months since I last posted, and way longer than that since I posted anything substantial. Such a slacker. But, life gets in the way of living, you know.

I decided that I needed to provide you with some new fodder. So, I dug up some old fodder to entertain you. I now present you with a very short short story with an open-ended plot I originally wrote 6 August 2008 called "It's A Marvelous Night For A Moondance".  Enjoy.

* * * * *

It's A Marvelous Night For A Moondance


A thin line of smoke drifted toward the ceiling from the cigarette pressed between her fingers. Her head was pounding. It was the same thing, only a different day: tired, bored, and hung over.

She watched as the smoke curled and twisted in the slight breeze that was slipping under the bedroom door. What day was it? Monday? Thursday? It didn't matter any more. Everyday was like the last in her constant haze. All that mattered was that she was lying comfortably, smoking. In the back of her mind was a lingering thought that she had something she was supposed to be doing, but it was trumped by the feeling that her head was in a vice.

The phone rang and she disregarded it, closing her eyes. She mentally begged it to stop, but the phone didn't comply. Almost tempted to get up and answer it, she thought the better and didn't move. There wasn't going to be anyone on the other end that she wanted to talk to anyway. Her mom, a bill collector, maybe even a drinking buddy. None of them mattered. What mattered was that she didn't move. Her headache was too big.

Finally her smoke needed to be ashed. Where the fuck was the ashtray? The only thing she could see was her cigarette in the faint bit of light drifting in from the closed curtains.

She closed her eyes again. Movement was becoming a necessity if she didn't want to ash on the floor. The ashtray wasn't on the ground next to her. No, that was too far away. It wasn't balanced on her stomach. She'd be able to feel it. The only possible place it could be was on the bed, opposite of the direction she was facing. She slowly rotated her pounding head, eyes still closed.

Once the pain of movement had subsided, she allowed her eyes to flutter open. She had found the ashtray, but she had also gotten a first glimpse of the man lying in bed next to her.

She knew who he was. She hadn't brought a stranger home from the bar. No, she had brought him home from the bar.

He was in his boxers, sleeping peacefully enough: attractive face calm, hands crossed delicately over chest, breaths slow and rhythmic. Every inch of his body was relaxed and vulnerable.

It was then that her thoughts turned to murder.


* * * * *

Tuesday, August 16, 2011

{ 22 } The Lost Has Now Been Found!

So, if you remember back to Post #14, I introduced a story called "Billy" that I had written for a massive online writing contest called Field Report. Well, shortly after I had submitted said story, the proprietors of FR suffered some family tragedy. Despite being hailed as the best thing for writers since the invention of the actual written word from every blog about wrting to MFing Time magazine, FR went down.

And guess what went down with it? That's right, "Billy". The best short story I've ever written... primarily because it's the only one I've actually finished, but also because it's damn good.

Anyway, alright, no problem, I should have the story backed upped on at least ten sources, right? Right?

Eh, not-so-much. I thought I did, but an extensive search of Jihad (the desktop) and Mustachio (the laptop) turned up nothing. I even emailed the only address I could find for one of the original starters of FR in a desperate hope that he had a back up of all stories submitted. No dice. The IRL Billy was dead and the story "Billy" was lost. A winner am I.

But then something awesome happened: the BF's laptop stopped working. Doesn't sound that good, right? Probably not in the usual sense, but the death of the Mac forced him to back up and move all the files from the old Mac to the new. And that's when the amazing BF stumbled across "Billy".

Before you get in to this story, I AM still working on SSIBWO. And I have a new article on Examiner. Read. And read.

Without further ado, I present to you "Billy" in its full, unadulterated, lost-on-the-interwebs-but-found-by-an-awesome-BF-by-total-mistake form. Remember that this is a true story and I lived every sad, honest minute of it. Enjoy, cry, whatever.

-----

BILLY

I am fourteen years old. I am still too young to know about the world, so I hold beliefs and prejudices that have no merit or reason. Of course, I wont know about this until later, when I am old enough to realize that life doesn't fit neatly into a little, narrow box.

I travel to Arizona to see my friend Erik who still lives in the town I left four years prior. While I was gone, I was trying my best to fit in to a place where everybody had known each other from birth. Erik, however, had remained and was flourishing in those very same types of relationships.

"Wait until you meet my friends," he boasts. "You'll love them." And I do: funny, artsy, creative. All the things I had lost in the move, none of the things my new friends were. One of Erik's friends sparks my attention the most: Billy.

Billy is like no one I had ever met. As witty and spunky as Erik and I are, Billy tops us. We shoot some short films, as we used to do before I left, and Billy plays every part assigned to him as if he were born for the role. My trip down Memory Lane is now tinged with a schoolgirl crush on a boy I hardly even know.

My last night in town, my world is rocked. For our Friday evening entertainment, we’re going to an all-ages night at a club; a gay club. I am staggered. In my young, small-minded views, being gay wasn’t right. How could these people that I admire so much think that it was okay?

“You can be straight, but you don’t have to be narrow,” Billy tells me. While I'm not really sure what to think, Billy currently holds sway over my juvenile heart. If Billy says it’s fine, then I’ll go along for the ride.

* * *

I am fifteen years old. Billy and I have been holding a long-distance friendship, talking at least once a week. I hear about his girlfriend, about his new apartment, about his cat that he named after one of the crossdressers from the club. It’s light and fun and innocent, until reality slaps me across the face.

“I broke up with my boyfriend this week,” Billy tells me. I’m puzzled.

“Don't you mean your girlfriend?” I must have misheard. I was sure Billy had a girlfriend. He had mentioned her on more then one occasion.

“Well, I broke up with her too.” Pause. “I’m bi-sexual.” I swallow hard. How could this be real? How could this person that I cared so much for be something that I thought was so wrong? I panicked.

“I’ll have to call you back,” fell out of my mouth. I had a hard reality to face: either this witty, beautiful, lively boy was really something disgusting and to be hated, or I was being ignorant and blind. Had I really been narrow-minded all this time for no reason? How could I love something I thought I hated?

* * *

I am sixteen years old. I return again to Arizona to visit Erik. While he is preoccupied with his girlfriend and his job, I take a day to spend with Billy.

His bi-sexual facade has ended: Billy is gay. All my illusions of us ever being together vanish as I read the “I Know What Boys Like!” sticker on the back of his car, visit his tiny studio apartment and glance at the naked man calendar on his wall, and accidentally stumble on to his collection of “adult pleasure” devices.

We sit under his black light as he makes me a tape of dance remixes. I have come to accept that Billy is still the same boy I fell in young love with two years prior, still charming and witty.

Except now, perhaps as a way for me to justify and embrace my new-found tolerance, instead of just calling him my friend Billy, my mind refers to him as “my gay friend Billy”. I don’t view it as negative. Actually, I don’t view it as anything. Simply, he’s gay, he’s my friend, and he’s Billy.

We drive around Phoenix in his car listening to The Violent Femmes. At every stop sign he slows just enough to say, “S-T-oh, I’ll read it later!” and off we go with a laugh. He tells me that he has begun working in a gay bathhouse passing out towels. I’d never heard of such a thing, so he explains the concept, casually describing the anonymous sex and drug use he enjoys there. He also tells me that he is HIV positive.

I am floored. Billy has yet again thrown me a curve ball. My mind races back to when he had first told me has was bi, then gay. Now this? I was right to be so fascinated by him, as every encounter we have ever had has forced me to grow up a little more. I was again faced with a choice: abandon him out of fear for the disease in his body that I knew very little about or continue to accept my friend.

* * *

I am nineteen years old. Erik calls me.

“Billy’s dead. I drove him back to his family in Montana to try and get better, but it didn’t help. The ass hole wasted a lot of my time and money just to come back to Arizona and OD. He had something I was supposed to give to you, some tapes of Disney theme songs in Swedish or something. I don’t know. I’m just glad it’s over.”

Speechless, I drop the phone. My gay friend Billy is now my dead gay friend Billy. I hadn’t spoken to him since I was last in Arizona, the night he had told me he had HIV. The night that I had learned that friendship saw no illness.

Trying to keep my voice from shaking, I press the phone back up to my ear. “Erik, why are you being so cold? Billy was our friend!”

“Not in the end,” he tells me. “His only friend was drugs. He used me and anybody else he could.”

“But, why didn’t you call me sooner? Maybe I could have helped, maybe I could have-"

Erik cuts me off. “No. We’re all better off without him. He just wasn’t the same.”

I crumble as I realize I did not get to tell Billy goodbye or how much he meant to me or how much he had opened my eyes. All that remained was the new title: my dead gay friend Billy.

* * *

I am twenty-nine years old. I have not been back to Arizona since the last night I saw Billy. I still have the mix tape he made for me in his apartment, but I can’t listen to it. The catchy, synthesized songs bring me to tears. I have spoken to Erik less times then I can count on one hand. Whenever I have, the subject inevitably turns to Billy, if only for a moment, and Erik reminds me that it’s better that he’s gone.

I never did get the audio tapes Billy willed to me. I don’t even have a picture to of him to see if the face I remember is really what he looked like.

All that is left is the memory I have of my dead gay friend Billy, the growth inspired by my gay friend Billy, the love and respect that I’ll always have for my friend Billy.

No matter what he became at the end, regardless of the title I will remember him by, he was and always will be one thing above the rest: my friend Billy.
---

Friday, July 8, 2011

{ 21 } The New Prologue Is Here! The New Prologue Is Here!

Did you notice that I started a FB page for Writing As I Write? Probably not. I did it so this blog could be followed by non-blogger users in a more streamlined fashion. Don't expect a lot of updates, but I will post a update to the FB page when there's an update to the, uh, blog. Fair enough.

As far as new stuff, I promised and I am delivering! Here is the very rough draft of the prologue of my new novel (and please note that I wasn't able to properly paragraph format this, so don't yell about that), working title SSIBWO.

Yeah, it's a crappy working title (and for the love of all that is good, don't ask what it stands for), but when I named it, I really didn't think it was going to go anywhere. Well, 3,800 words later...

Without further ado, THE PROLOGUE!!! (Comment, share, do whatever it is you do to get the word out and keep me WRITING!)

-------

What I remember most about those days was riding around the lake with Grandad in his old truck.

That was mostly every summer: the lake, the hot sun, the bumpy rides.

Every winter there was only snow, wind, and Mamma heating water for Hot Toddys. Brandy in her's and Dad's, only lemon and honey in mine. Those Toddys were all that would make winter bearable.

But in the summer, the sun would turn my arms brown and my hair blonde, and Grandad and I would take our long drives around the lake, talking like we were two old friends.

He would tell me stories about the war, at least the parts a ten year old could handle. I knew all the names of his long-ago pals: Briggs, Scott, and my favorite, One-Eyed Sal, who had two perfectly good eyes.

Grandad would tell me about how he met Grandma, who died before I was born. It was the same story a lot of American G.I.s shared: he a sailor, she a nurse. But I never tired of hearing about Grandma's simple blue dresses at the Navy dances and how Grandad would announce, “Boys, Annette's dance card is full!” before engaging her for the rest of the night.

On our last night of looping around the lake, before things got dark and strange, Grandad said to me, “She died too soon, Bell. You would have been the apple of her eye, just like your mother had been.” He turned his own eyes back to the road. “Let's get you home. If we miss dinner again, we'll never hear the end of it.”

When we pulled in to the driveway, I could see Mamma and Dad framed in the kitchen window. Mamma was drying her hands on a towel and Dad was sneaking up behind to steal a kiss. Smiling, I opened my door and got out of Grandad's truck.

We were greeted by the aroma of a berry cobbler cooling on the stove, Dad and Mamma smiling at us, and a table set full of summer delights.

You two were almost late again,” Mamma said as she pulled out two chairs.

Oh, Sandy. You know your daughter: quite the talker!” Grandad gave me a wink.

I shook my head with a giggle and sat down. I was almost sure Mamma and Dad knew what Grandad and I talked about on our drives, but I also knew that Grandad and I had our secrets.

The four of us settled in to a content dinner. It was a perfect summer night.

But things can change, suddenly and without a hint of warning.

When I woke up the next morning Dad was sitting alone at the kitchen table, his head in his hands. He looked up, and my father's usually smiling face was fallen and streaked with tears.

Daddy, what's wrong?”

Sit, Annabel. Sit down.” I did as I was told and he clasp both of his hands around mine. “It's your mommy, baby girl. We can't find her.”

I didn't understand. Mothers don't just go missing. I knew that sometimes they left, ran off with other men to start new lives, but not my mother. She loved her family, her life.

Last night, after you went to sleep, she got a call from the hospital. Mrs. Jenkins's baby decided to come early and Dr. Cliff is in Casper for his daughter's wedding.” Dad glanced at the phone, though it sat silently in its cradle. “Mamma called at about eleven last night, said the baby was fine, said Mrs. Jenkins was fine, and said she's be home as soon as she got cleaned up and made the drive.”

The hospital was in the next town, only a thirty minute drive. I had gone to work with Mamma a few times. When I was there, it was a lucky day for me when someone from our town had a baby. I would usually get to hold it.

My father squeezed my hands tighter. “Your mom didn't make it home last night. I waited until one before I called the hospital, and they said she had left twenty minutes after I had talked to her.”

A quick glance at the clock told me it was well after nine. “Well, where has she been all night then, Daddy?”

His eyes pinched tightly shut. “I don't know, Annabel. That's why I said she is missing.”

His tone made me feel younger than I was. I pried my hands from his and folded them around myself. “Sorry, Dad. I just don't understand.”

My father's eyes met mine, staring intently. “I don't either, Anna. I didn't mean to snap. It's just that... that...”

Before my father could stammer out his words, the front door slammed and Grandad flew in to the kitchen. He threw his arms around me. “Oh, my baby. My poor baby,” he softly murmured in to my shoulder. I wasn't sure if he was referring to me or my recently missing mother.

Eventually Grandad straightened up, smoothed out his hair and sat down in the chair between my father and I. For the first time in my life, the two strongest men I knew looked like the lost ones. They were crumpled, beaten, and older looking than either of them had seemed the night before.

You called the hospital again?”

At least every ten minutes for the last seven hours. No word. Stacy promised she'd call if she heard anything. Did you go to the police?”

Of course I did, Jim, but they said I couldn't do anything. You need to go down there yourself.”

Dad got up from his chair. “Well, now that you're here to watch Anna, I'll go.” He turned towards me. “Anna, stay here with Grandad and make a list of-”

Oh no you don't!” I stood up so quickly that the chair fell over behind me. “I'm going with you, Dad. If Mamma's missing I want to do everything I can!”

He put his hand on my shoulder. “Baby, the best that you can do is stay here right now and wait for news. Let me handle the police.”

I looked from Dad to Grandad and back again, silently pleading with each of them to let me go to the police station.

Take her along, Jim. I'll wait here for any calls. She's old enough to be a part of this.”

I didn't wait for a confirmation from my dad. I ran to my room, pulled on a pair of jeans under my nightgown, and slammed my sockless feet in to the first shoes I could find. I was back in the kitchen and grabbing for my father's left hand before his right had even neared the keys.

Be a big girl, Bell. We'll find your mamma,” Grandad said as the door closed.

On the ride to the station, the silence was broken only by the occasional smack my father would give the steering wheel. I had sunk down as far as I could in the bench seat, trying not to make my presence regrettable.

Dad slammed the truck in to park so fast, it rocked. He jumped out without closing his door and ran around to my side to let me out. “Annabel, Grandad is right: you are old enough to be here.” He helped me jump down from the tall cab. “You're a good girl, but while we're here, I need you to listen and not talk. Understand?” I nodded as he grabbed my hand and started towards the station doors.

Miss Kathy, the receptionist, met us inside. “Oh, Jim, I'm so sorry. Kent is waiting for you in Conference Three.” Dad patted her on the shoulder, never stopping his forward advance. “There's a man up from the Cheyenne DCI office, too.”

I knew I had heard DCI before, but the letters just bounced around in my mind, not finding their meaning. Dad's hand clench and his feet speed up a step. I struggled to keep his pace, my short legs at a full gait.

Why in the hell is DCI here, Kent?” Dad barked as the conference room doors flung open.

The two men already inside the room got up from their chairs. “Now hold on, Jim,” said the man I assumed was Kent. “I called them. Just in case we needed them.”

Why in the fuck would we need them? This isn't a fucking murder case.”

Mr. Pierce, I see we have a little lady in the room.” The second man approached, his red face smiling down at me. “And what's your name, pretty girl?”

Annabel,” I said as I turned away from the man and towards my father. The man frightened me, but I knew it was rude not to answer an adult.

Well, pretty Annabel, why don't you have a seat right here while us grown-ups have a discussion, okay?”

I looked up at Dad. He released my hand and motioned for me to sit down. “Go on, Anna. Sorry about the language.” I gave him a meek smile and folded my hands in my lap. Adults swearing was nothing new and it didn't bother me. What did bother me was the word “murder”.

The red-faced man extended his hand to my father, who brusquely shook it. “I'm Ted Bowler and, yes, I'm from criminal investigations. But I'm only here to assist, depending on the, uh, nature of this case.” He shot me another smile and a shiver ran through me. “Now, Mr. Pierce, how likely is it that your wife just decided to get away from it all for awhile?”

My father's eyes grew wide. “Like she ran away? Kent, I am not dealing with this man.” He raised a finger and took a step back. “You've known Sandy since high school. Let's just get this missing person report filed so we can find her.”

Mr. Pierce, I am in no way insinuating that your wife would leave you and pretty Annabel here due to some sort of lack of love, but you know these women! They get restless. They want to see the world. Want to see what they might be missing.”

Hot tears began to sting at my eyes. I had to bite my lip to keep from screaming at the man.

Look, Mr. Bowler. Your office left a bad taste in my mouth after the way you handled the Thompson girl. I don't want Sandy to turn in to a similar headline.”

The tears I was trying to hold back began to silently stream down my face. Pam Thompson was the reason I had heard DCI before. Pam and I had been in the same first grade class. One day she wasn't there, having been replaced by a lot of men in suits, buzzing around town, asking parents questions that made the air feel thick. Weeks went by and the kids, all of us, weren't allowed to go anywhere without a parent. Football games and dances were canceled. Movie theaters let out before the sun went down. They finally found Pam. Her little body, the same size as mine, had been shoved in a cave by the lake, a boulder blocking it from view. That was the first time I had lost a friend and also the first time I had heard the word murder.

Mr. Bowler's smile turned in to a frown. “We handled the case the best we could, Mr. Pierce. This is a big state and we are not a very big agency.”

Which is why I called them as soon as I talked to Sandy's dad,” Kent said. “I wanted as much support from Cheyenne as I could get up front.”

Fine,” Dad said. “I guess if we need them it's good to have them here sooner rather than later. Now can we please get this missing person report done and on the wire?”

What time did you say your wife last called you, Mr. Pierce?”

At about eleven last night. I was expecting her by midnight, twelve thirty at the latest.”

And she's a doctor, correct?” Mr. Bowler had begun writing things on a note book on his lap.

Obstetrician. Out in Torrington.”

So she got called out in the night to deliver a baby, called when she was done and soon to be on her way home?”

Yes. Didn't Kent fill you in on this? Don't you already have the report filled out? Let's just sign it and start looking for Sandy.”

Slow down there a second, friend.” Ted Bowler held up his hand, his pudgy fingers dwarfing the pen they held. “We cannot just yet file this missing person report. There is, after all, a twenty-four hour waiting period for adults not at risk.”

My father was on his feet again, both fists slamming the table. “Fu-” his eyes darting to me, “Forget your waiting period! My wife did not come home last night and I want to know where she is! And I am not your friend!” His whole body was shaking, every last once of patience gone from him. My father was a usually a calm man and I too shook a little, never having heard him yell.

Mr. Pierce, my hands are tied. We cannot risk wasting valuable time and resources on a woman who might have just gone to her mother's for the day.”

I could keep my silence no longer. “My Grandma is dead! And my Mamma loves me and Dad as much as any woman could. She would never run away from us! Never!”

Father, Mr. Bowler, and Kent all stared at me. I gulped in a breath, startled by my own voice. A little softer, but none the less pointed, I said, “Finding out where my mother is is not a waste of anything.” I pulled my knees to my chest and threw my arms over my head.

The room was still for a moment, then I could fell Dad stroking my hair. “Anna's right, Mr. Bowler. Finding Sandy is not a waste of anything.”

Jim, Ted, let's all just calm down a bit. Anna? Anna, honey?”

What?” I didn't uncover my head to look at Kent. I was too upset to care if he thought me ill-mannered.

Why don't you go outside and talk to Kathy? I think her sister is coming to town next week and she might want to hear some ideas you have on places to take her.”

I knew he was trying to get rid of me. I didn't want to leave, but I also knew that if the adults could speak freely, Mamma might come home sooner. I reluctantly unwrapped my arms.

Dad knelt down beside me. “No one's mad at you, Baby.” He lowered his voice. “Mr. Bowler is, for lack of a better word, an asshole and he's making your daddy very angry. Go talk to Kathy, would ya? Have her take you to Grandad if you want.”

Father knew I would do anything he asked. Of all the men I knew, he and Grandad were the only two that showed kids any respect. For my father, I found my legs and headed towards the lobby.

Mr. Kent, Mr. Bowling,” I said as I pushed the doors open, sunlight spilling in to the conference room. “I love you, Daddy.”

Love you too, Baby Girl.”

Before the door latched shut behind me, I heard the final words of Mr. Bowling: “Cute kid you got there. Ever get this angry towards her or your wife, Mr. Pierce?”

Nothing was ever the same as it was the last day I saw Mamma. The days became shorter, and so did the area Dad would let me go alone. Instead of taking drives around the lake with Grandad, I would sit in the living room while he and the other men would drive around the hills searching for my mother or her car.

In the long weeks before school started, Dad wouldn't let me out of his sight, telling me he loved me every time he spoke. The only place I was allowed to go alone was the two blocks to the gas station to get candy or a soda.

It was fun at first, my five minutes of alone time on the walk, but then I began to hear the whispers.

That's her. That's the girl who's mother disappeared.”

I heard she ran off with an intern from the hospital.”

I heard the father had something to do with it.”

No one could leave such a precious little girl. I bet there was an accident and the father covered it up.”

After a few weeks, I couldn't take it. It was nice when the cashier would slip me an extra piece of candy, or when Grandad's friends would bring me a new toy before they went on their nightly searches. But I didn't want to hear the whispers, see the sad look on adult's faces when they talked to me or about me. I spent the rest of the summer alone, trying to watch the television that someone would inevitably shut off as soon as a news story would come on.

Soon enough, school started again. Dad or Grandad or one of the neighbor ladies would always see me to and from school. When I asked Dad why only I was being walked, not all the kids like when Pam Thompson had gone missing, he said it was because he loved me the most. I didn't understand, but the sadness I could see in him, the sadness that grew deeper everyday Mamma was gone, made me not question him any further.

By winter, things had gone from bad to worse. Dad had gone from keeping a close watch on me to keeping me under lock and key. As soon as the days got shorter, so did my time allowed out of his sight.

I missed the Toddys Mamma would make for us. Dad never made them; I suspect because they made him think of Mamma. I didn't dare make them because Dad didn't allowed me to use the stove.

Grandad was at our house whenever he wasn't out searching. I was glad to have him there, as Dad always seemed distant. But the disappearance of Grandad's only child had aged him. Before, it would only come in flashes, when we talked about Grandma or when someone would call and tell him that one of his war buddies had died. Everyday without Mamma, though, seemed to carve lines deeper in to Grandad's face. The sparkle that had once lit his blue eyes was dimmed.

The days were strange for me, too. I had gone from having a house filled with all the love a child could need, love that was always given freely, to place that was cold. My mother was gone and Dad and Grandad had hearts that were too heavy. The comfort and stability that I had known had been destroyed, replaced with darkness and fear.

I wasn't afraid of going missing too, but I had to live in the shadow of the loss of Mamma. It wasn't that I didn't miss her or love her with every ounce of my being. Quite the contrary: I would have done everything to bring her home, to have normalcy restored in our lives. I missed her just as much as Dad and Grandad, but I never forgot that life was for the living. That was something that Mamma had taught me when I was very young, and I clung to that like I would have her hand. I knew the right thing to do was to grow up to be the person she wanted me to be: a happy, fulfilled woman like her.

Once winter was in full swing, there was very little for anyone to do. Searches had to be called off because of the snow drifts, not that anyone was holding out much hope of finding Mamma anymore anyway. We would make sure the posters we had put up were readable, and Daddy would try and get on the news or radio once a month to keep interest alive. It seemed, though, that everyone else was going back to normal, just like after Pam Thompson. Everyone but us.

Dad asked me one night if there was anything he could get me to keep me entertained during those cold, long nights. I told him all I wanted was a subscription to a magazine. A travel magazine. I had taken to sitting in my room after the sun had gone down, dreaming of far away places that I could be. Places where Mamma might have gone, if I had actually thought for a second that she left us.

Once the first issue arrived, it made me happy to browse the pictures of the sunny beaches, the rustic lodges, the sea breeze-swept verandas that I might one day visit. And I would picture Mamma, her hair pulled back in to a lose bun, laughing as the ocean lapped at her feet.

I knew that Mamma would never leave us, but maybe she had been in an accident and had forgotten who she was, forgotten about Dad and me. Maybe she had woken up in her car and, not knowing who she was, had followed the signs to the airport and had gotten on the first plane to someplace warm, to clear her head, to remember.

If that was true, then there was a chance that I would someday find her on a beach. I would show her pictures of her family and remind her of who she had been. It might make her remember who I was and we could be a whole family again, her, Daddy, Grandad and me.

That winter I knew one thing to be sure: as soon as I could, I was going to leave my small town, the sadness, the whispers. I was going to see the world and experience all it had to offer. Life was for the living and I was determined to stay alive.

Monday, September 21, 2009

{ 13 } I Slack, Therefore I Am

Man, it's been awhile. So much has happened since my last posting:

- The BF and I bought a real house,
- We acquired a third dog,
- I've been traveling for work a lot less,
- I've still been working my ass off.

True, none if this is any excuse for not writing, but they're the best excuses I have! So, without further ado, I shall now produce for you my latest work. It was written in March or April, but it's still the newest... Sigh...

The Twilight of My Discontent
- or -
Why Stephanie Meyer is A Hack That Should Never Be Allowed To Write Again

It finally happened: I was forced to watch Twilight. I knew it wouldn't be long. I had the books on reserve at the library, but apparently I am still in line behind five zillion pre-teens, teens, young adults, and housewives.

I wasn't looking forward to reading the books, I figured all I needed to know was what I could glean from Yahoo Answers and literary forums. Hey, if Steven King doesn't like Stephanie Meyer, that's good enough for me. Still, though, I like to form my own opinions and I have a strong "Know Thy Enemy" ethic, so I figured reading the damn books wouldn't hurt me.

As much as I didn't want to read the books, I really, REALLY didn't want to see the movie. I've done the book-to-film route before and it usually turns out bad (Fight Club and American Psycho being two huge exceptions). If the book was going to be a chore to read, I knew the movie was going to be worse. Sadly, last week the choice was made for me and I was subjected to Twilight in all of its sparkly glory.

Not all bad came out of this, though. I had a revelation today about Meyer's "vampires" and the nature of her story, something Mrs. Meyer herself might not have seen (or didn't want to admit to). To explain, let me set up the story and outline my confusion.

Twilight is the story of Bella, a seventeen year old who decides to move to Washington State to live with her cop father so her mother can travel with Mother's new amateur baseball player husband. Here was my first red flag: any story that has to have characters with Such Great Importance (cop, baseball player) is going to be lacking in, well, actual story. Who needs plot when you can have grandeous characters, right?

None the less, Bella gets to her new school and is immediately befriended by this gregarious band of high schoolers with obnoxious hair. I don't know what your high school was like, but I can assure you: no matter how hot the new kid was, people were not lined up to ask her to Prom. Oh, to have Bella's problems.

Bella, however, is attracted to the brooding, dark-eyed Edward Cullen, a boy who Bella's new-found BFFs tell her not to waste her time on. And why should she? The adopted Cullen kids, three boys and two girls, are already coupled. That's right, as in boyfriend/girlfriend, Edward being the odd-man out. Keep it in the family.

Still, Bella's a strong girl that gets what she wants. I guess. Thus far Bella seems to have no personality other then the fact that she's pretty and all of the boys are ga-ga over her. That's not personality, you say? Hmmm...

Bella gets to Biology class only to be partnered with, who else?, Edward Cullen. Mr. I'm-So-Dark can't handle it and asks to be transferred out, which Bella witnesses. Then he fails to show up for class for a few days. Ah, now Bella has real motivation! Edward doesn't like her (of course his transfer is all about her)! How can this be? The rest of the school practically genuflects when she enters the room. Did I mention I want Bella's problems?

Edward finally returns to class and there's a total Girl Power scene in which Edward and Bella go back and forth over what they see in their microscope. And, lo and behold, Bella also notices Edward's eyes are changing color! I'm pretty sure this is the first ever documented case of a vampire with color changing eyes. Edward blames the florescent lights and storms off. Isn't he dreamy?

Finally, the scene you have all been waiting for: Edward stops the skidding van from crushing Bella against her own truck. It's actually quite remarkable. What's remarkable about it is the fact that a whole parking lot of teens AND the driver of the van fail to see Edward run super-speed to Bella, shield her, and then stop the van with his bare hands. Forget about the fact that there's now a huge dent in the side of the van where Bella's pretty, smashed head should have been. Nobody seems to notice or question this little point.

Bella then goes to the hospital where she is attended to by, wait for it... DR. CULLEN HIMSELF! Sure, he's maybe thirty-two, but what thirty-two year old doctor wouldn't want to adopt a brood of goth high school students? I think I have new life plan...

Bella needs answers. Changing color eyes? Super speed? Super strength? The fact that the Cullens aren't welcome on some crazy Native American owned beach? This can all be leading up to one thing, but Edward isn't talking. It's more fun to try and convince Bella that's she's crazy and that she imagined the fact that Edward was right next to her when the van almost (should have) killed her. That's what a good love interest would do.

After a field trip, another invite to Prom, and more snarky remarks from Edward, Bella finally has time alone with her man. Thank goodness! After a whole torturous week of knowing Edward, Bella has found the love of her life. It's about time she confronted him for some straight answers. You know, before they get married and all.

Since Bella is quick with the Google searches, she finally knows what Edward is: a vampire. Duh. She tells him she knows, he asks if she's scared, she tells him she's not. She's a strong headed, independent, woman-type thing, remember?

Edward throws Bella on his back and runs to a sunny spot (Super speed? Super strength? Hello?) to show her what vampires really do in the daylight: sparkle. Bram Stoker is spinning in his grave. Remember from, oh, the dawn of time how vampires burn up in the sun? Well, history has it WRONG. In the words of Bella, it looks more like Edward is "made of diamonds". The only way to kill these vampires is to cut them up and burn them. Thanks, Stephanie Meyer, for setting history straight.

Oh, and don't worry about Edward draining Bella of her blood. He totally wanted to in the beginning, which was why he had to leave Biology class. Bella's "scent" is almost too much for Edward to handle. Apparently, she's the one he's been waiting for in his almost one hundred years on Earth. But he has some sort of restraint and will be content loving her for her whole life instead of sucking her dry. Of course, Bella is okay with this, but now she wants to be a vampire too. And why not? I mean, who wouldn't want to spend all their time writing bad poetry and drinking coffee until two a.m. at Denny's? Oh, wait. That's what goth kids do, not vampires.

Still, nothing sounds more appealing then spending Eternity with a boy you just met. Who cares if he snores in bed, leaves his dirty socks on the couch, or doesn't know how to balance his own check book? Seventeen year olds care not about these things. And don't even get me started on if he's good in bed or not. Bella's a virgin, so would she really know the difference? She can fake it for all of eternity, right?

Edward doesn't want to change Bella in to a vampire. He doesn't want to make her the "monster" that he is. His constant yearn for human blood is too much. Did I forget to mention that the Cullens are "vegetarians"? In the Twilight world, this means they only feast on the blood of non-human animals. Speaking as a vegetarian myself, I can assure you that this does not offend me in any way. Nor does Edward's comment on how not sucking the blood of people is like a human existing only on tofu; "You get full, but never really satisfied." Yep, totally not offended.

I will pause here for a moment of reflection. I can no longer in good conscious call the Cullens and their ilk "vampires". The only vampiric things about them are their lust for human blood and the fact that they allegedly live forever. To me, this sounds more like cannibals with longevity. Granted, I am not the for-most expert on vampires, but I do know they do not have super anything, cannot live without draining humans of their blood, and sure as hell do not "sparkle" in the sun. While I applaud (maybe just golf clap) Meyer for inventing an original brand of species, to call them "vegetarian vampires" is beyond insulting. I think Cannibalistic Glitter Kids is more fitting.

To continue, Bella and Edward are in a relationship now, or something. Edward's the perfect catch, too. In a few short days, he admits to Bella that, since he himself doesn't sleep, he constantly watches her sleep at night (totally not creepy), he wanted to devour her blood, and he's supposed to be with her forever. This is so not stalker-esque at all! I know I like it when strange boys are mean to me and suddenly appear in my bedroom, especially after they admit to wanting to kill me first!

Edward now feels it's okay to bring Bella to his family's house, which is all sunny and bright. Since the house is secluded, the Cullens get to sparkle freely in their non-melting glory.

Edward's family members are as vapid and devoid of personality as he is. One girl's a bitch; one boy, the newest family member, looks constantly constipated because he's still trying to fight off his human blood-lust. Totally. Oh, and one of the girls can see the future! Of course! Another decidedly non-vampire trait and also one she doesn't share with the other family members. Confused? Then you're right on track, as Meyer offers no explanation for any of this.

Edward takes Bella on a stroll through the house where she eyes graduation gowns from the past umpteen years. We're finally told the first thing that almost makes sense: since the Cullens don't age, it's easier to move and start over every four years. Still, why they have to continually attend high school is beyond me. And what about restarting Dr. Cullen's practice? I don't see why they couldn't just move to a secluded place and be happy. With the exception of Edward, they're already in relationships, so who needs more friends?

While explaining the moves to Bella, Edward delivers a line that I'm sure was ripped straight from the book: "We matriculate a lot." Yep, "matriculate". I had read online that Meyer's writing was so horrid, it seemed like she had used a thesaurus at every available opportunity. I didn't want to believe it, but "matriculate"? Now I had no choice. No one, let alone high schoolers, use that word. True, I have an extensive vocabulary and tend to use ten-cent words, but in this movie and in this context, this one pops out as odd. I'm sure I'll come up with a laundry list of misplaced words as soon as I get my hands on the book.

The next scene, which will be almost the last I review before I get to my own personal revelation, pisses me off personally. Anybody else might just have glossed over it, but I feel like Meyer was making a personal attack here, even though she was probably just trying to be "scholarly".

Edward and Bella are in Edward's room and Bella comments on how much music Edward owns. Not books, oh no. Music. Bella pushed play on the stereo to hear what Edward is currently listening to. Piano music fills the room. He's a "vampire" (cough) so of course he listens to classical. Here's why I get angry: It's Debussy. DEBUSSY! My favorite composer. MINE. Now every time I say I like Debussy I'm going to get that "You know him from Twilight" look. I hate that look.

From this point on, it becomes a mad-cap rush to save Bella from the evil hunting "vampire" who sees her as sport. There's a lackluster fight scene in the old ballet studio Bella used to take dance lessons in. Did I forget to mention? Bella As Ex-Dancer had been eluded to in the previous scenes where Bella tells everyone she doesn't dance. I don't really get it either, but it provides the perfect setting: lots of mirrors to confuse Bella as to where the hunter is actually standing. Wait, wait, wait. You mean real vampires don't have reflections? But, but... I can see the hunter reflected hundreds of times! Yep, add another point to the Cannibalistic Glitter Kids column. Meyer's vampires are as real as Ashley Simpson is a real singer.

I think you know by know how I feel about Stephanie Meyer and her story. I was still confused on one point, though: Edward will not turn Bella into a Cannibalistic Glitter Kid because he has some sense of right and wrong (I think that's the point Meyer was trying to make), so why would the good Dr. Cullen transform five unwitting kids?

For an answer to this, I asked my friend. I'm reconsidering he whole "friend" thing as she was the one that stuck the movie in front of my face. "Friend" has watched Twilight everyday now for at least two weeks and has just started reading New Moon, Meyer's next book in the series which, Oh Joy!, is already being shot as a film.

From what "Friend" has old me, Dr. Cullen changed these kids for two reasons: 1) because he didn't want to see them suffer or die, and 2) so he wouldn't have to been alone for all of Eternity.

Reason One angered me enough. He's a doctor for goodness sake. Suffering and death are part of his profession. So is "Do no harm", and I'm pretty sure forcing someone to live forever, craving human blood, is pretty harmful. Can we say "malpractice"?

But the second reason kept reverberating in my mind. Dr. Cullen changed his wife. That makes him not alone. Why add more people? The pieces finally all came together in my head this morning.

Of course Dr. Cullen wanted to make more people live forever! The answer was right in front of me the whole time. Stephanie Meyer is a Mormon!

I don't know what you know about Mormonism, but way over half my family is Mormon so I have a pretty good grasp of the subject. Mormons believe that you have to rescue souls from Heaven and bring then to Earth. Then you and your family, when you all die, will be together in the Afterlife. If you don't breed profusely, you will be alone until the end of time. This is exactly what Dr. Cullen is doing, except his "Afterlife" is the here and now, all Eternity on Earth! Why I didn't see this before, and why no one else to my knowledge has mentioned this is beyond me.

Stephanie Meyer claims to not put her religious beliefs into her novels, but I'm a little suspicious. Maybe it was by accident. Maybe she's trying to covertly indoctrinate you. Only Mrs. Meyer knows for sure. But to me, the similarities are too stark.

It wasn't enough for me to hate the story on the empty characters, the overuse of vocab words, and the raping of all things vampire. Now I get to hate it on the thinly veiled attempt at introducing kids to Mormon concepts.

I've always said young adult novels have a message, even if it's not in your face. While I struggled at first to find any meaning in Meyer's waste of paper and celluloid, I have now found it. If you're looking for an entertaining way to spend your time, skip Twilight. If instead you want a weak plot, undeveloped characters, messages that stalking is acceptable, and a crash course on Mormonism, run, don't walk, to your nearest bookstore or movie theater.